雾都孤儿英文简介,雾都孤儿的故事简介英文的(50-100字以内)
本文目录索引
- 1,雾都孤儿的故事简介英文的(50-100字以内)
- 2,雾都孤儿英文简介,简短一点
- 3,雾都孤儿英语故事梗概~~急求!!
- 4,雾都孤儿的主要内容
- 5,雾都孤儿 英文版介绍
- 6,《雾都孤儿》的英文简介
- 7,《雾都孤儿》的英文怎么写?
- 8,用英语概括《雾都孤儿》的主要内容
- 9,雾都孤儿作者简介50
1,雾都孤儿的故事简介英文的(50-100字以内)
Oliver was a poor boy. He had no parents. He grew up in an orphanage. At the workhouse, his masters were very strict. So, one day, he escaped to London. In London, he met Fagin and his friends, who taught him to steal from rich people. But one day, the police found Fagin and they arrsted him and sent him to prison. Finally, Mr Brunlow adopted Oliver
2,雾都孤儿英文简介,简短一点
Oliver was a poor boy. He had no parents. He grew up in an orphanage. At the workhouse, his masters were very strict. So, one day, he escaped to London. In London, he met Fagin and his friends, who taught him to steal from rich people. But one day, the police found Fagin and they arrsted him and sent him to prison. Finally, Mr Brunlow adopted Oliver
3,雾都孤儿英语故事梗概~~急求!!
Oliver was a poor boy. He had no parents. He grew up in an orphanage. At the workhouse, his masters were very strict. So, one day, he escaped to London. In London, he met Fagin and his friends, who taught him to steal from rich people. But one day, the police found Fagin and they arrsted him and sent him to prison. Finally, Mr Brunlow adopted Oliver
4,雾都孤儿的主要内容
富人的弃婴奥利佛在孤儿院里挣扎了9年,又被送到棺材店老板那儿当学徒。难以忍受的饥饿、贫困和侮辱,迫使奥利佛逃到伦敦,又被迫无奈当了扒手。 他曾被富有的布莱罗先生收留,不幸让小扒手发现又入贼窝。善良的女扒手南希为了营救奥利佛,不顾贼头的监视和威胁。 向布莱罗报信,说奥利佛就是他找寻已久的外孙儿。南希被贼窝头目杀害,警察随即围剿了贼窝。奥利佛终于得以与亲人团聚。 扩展资料创作背景: 《雾都孤儿》是英国小说家查尔斯·狄更斯在维多利亚时代的作品。资本主义的发展,使英国成为世界超级大国。但繁华之下,是贫穷和不幸。这种繁荣孕育在危险和肮脏的工厂和煤矿里。 阶级冲突越发明显,终于在1836年到1848年中接连爆发。19世纪末期,大英帝国国力逐渐下降。作为一个时代的产物,文学日趋多样化,许多伟大的作家出现在那个时代。 《雾都孤儿》写于《济贫法》通过之时。英国正经历一场转变,从一个农业和农村经济向城市和工业国家的转变。《济贫法》允许穷人依赖接受公共援助,却要求他们进行必要的劳动。 为了阻止穷人依赖公共援助,逼迫他们忍受难以想象的痛苦。因为贫民院的救援声名狼藉,许多穷人宁死也不寻求公共援助。《济贫法》没有提高穷人阶级的生活水平,却对最无助和无奈的下层阶级施以惩罚。 参考资料:百度百科-雾都孤儿
5,雾都孤儿 英文版介绍
Oliver Twist, one of the most famous works of Charles Dickens’, is a novel reflecting the tragic fact of the life in Britain in 18th century.
The author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in London.
The hero of this novel was Oliver Twist, an orphan, who was thrown into a world full of poverty and crime. He suffered enormous pain, such as hunger, thirst, beating and abuse. While reading the tragic experiences of the little Oliver, I was shocked by his sufferings. I felt for the poor boy, but at the same time I detested the evil Fagin and the brutal Bill. To my relief, as was written in all the best stories, the goodness eventually conquered devil and Oliver lived a happy life in the end. One of the plots that attracted me most is that after the theft, little Oliver was allowed to recover in the kind care of Mrs. Maylie and Rose and began a new life. He went for walks with them, or Rose read to him, and he worked hard at his lessons. He felt as if he had left behind forever the world of crime and hardship and poverty.
How can such a little boy who had already suffered oppressive affliction remain pure in body and mind? The reason is the nature of goodness. I think it is the most important information implied in the novel by Dickens-he believed that goodness could conquer every difficulty. Although I don’t think goodness is omnipotent, yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.
For me, the nature of goodness is one of the most necessary character for a person. Goodness is to humans what water is to fish. He who is without goodness is an utterly worthless person. On the contrary, as the famous saying goes, ‘The fragrance always stays in the hand that gives the rose’, he who is with goodness undoubtedly is a happy and useful person. People receiving his help are grateful to him and he also gets gratified from what he has done, and thus he can do good to both the people he has helped and himself.
To my disappointment, nowadays some people seem to doubt the existence of the goodness in humanity. They look down on people’s honesty and kindness, thinking it foolish of people to be warm-hearted. As a result, they show no sympathy to those who are in trouble and seldom offer to help others. On the other hand, they attach importance to money and benefit. In their opinion, money is the only real object while emotions and morality are nihility. If they cannot get profit from showing their ‘kindness’, they draw back when others are faced with trouble and even hit a man when he is down. They are one of the sorts that I really detest.
Francis Bacon said in his essay, ‘Goodness, of all virtues and dignities of the mind, is the greatest, being the character of the Deity, and without it, man is a busy, mischievous, wretched thing, no better than a kind of vermin.’
That is to say a person without goodness is destined to lose everything. Therefore, I, a kind person, want to tell those ‘vermin-to-be’ to learn from the kind Oliver and regain the nature of goodness
6,《雾都孤儿》的英文简介
Jean Valjean was an honest man who, through force of desperate circumstance committed the relatively minor crime of stealing a loaf of bread to feed his family, and paid a price out of all proportion with the severity of his crime.
Captured and sentenced to a term of five years’ imprisonment, Valjean spends nineteen years doing hard labour as a result of four failed escape attempts. He emerges from prison on parole, a hardened and bitter man, having encountered little kindness in the course of these nineteen years, and having adapted to the company he was forced to keep.
Because of his criminal record he encounters problems in finding employment, lodgings, and indeed any place in society. Exhausted and demoralised, he finds comfort and accommodation at the home of the Bishop of Digne who shows Valjean kindness and compassion. However, during the night Valjean surrenders to his experience and degradation of the previous nineteen years which, combined with a sense of hopelessness and worthlessness he has felt since his release, lead him to behave as he has been condemned to do – he steals the Bishop’s silverware.
He is captured and returned to the Bishop who, contrary to Valjean’s expectations, not only tells the police that he gave Valjean the silverware, but insists that Valjean should take two silver candlesticks as well.
This is the first act of kindness and generosity Valjean has encountered in all those nineteen years. Accustomed to having to fight for his very survival, this act of compassion and understanding (whose existence he has long since abandoned and then forgotten) causes him confusion and bewilderment.
While still dazed by his meeting with the Bishop, Valjean reacts once again in an animal-like fashion, doing what he feels he has to do in order to survive, when he steals a coin from a passing young chimney sweep.
This act, contrasting violently with the kindness he has just been shown, brings home to him just what he has become and how far he has fallen.
With a clarity missing for some nineteen years, he sees he has a choice to make – continue upon the path of petty crime and self destruction upon which he is set, or start afresh and follow the example set by the Bishop. He can view people as a means to an end, as potential victims in his quest for survival, or he can live by compassion and understanding, offering help to others, just as he received help from the Bishop.
He determines to start a new life, adopting a new identity and a new mentality in the process.
While Valjean is clearly the principal character and our tale is largely concerned with his efforts to lead a worthwhile life, his destiny is inextricably linked with a whole gamut of characters whose lives become intertwined. This is equally the story of, among many others, Javert (the policeman who pursues Valjean in order to protect society from someone he regards as a dangerous criminal), Fantine (the tragic factory girl who sacrifices herself for the upkeep of her daughter), Cosette (the daughter of Fantine used and abused by the innkeepers into whose care her mother entrusted her), the Thénardiers (the self-centred innkeepers and petty criminals), Eponine (the daughter of the Thénardiers and victim of unrequited love), Marius (an idealistic student who falls in love with the adult Cosette), and the revolutionary students (who seek to incite rebellion against a heartless and uncaring government).
7,《雾都孤儿》的英文怎么写?
Oliver Twist
《雾都孤儿》,原名《奥立弗·退斯特历险记》,中国最早的译本是林
琴南的《贼史》,我这里采用的还是更为读者熟悉的书名《雾都孤儿》。
《雾都孤儿》是狄更斯的第一部伟大的社会小说,在世界文学史上占有重要位
置。小说主要反映刚刚通过了济贫法的英国社会最底层生活。作者在创作上爱憎分
明,形象生动的特点也得到了很充分的体现。他笔下的人物富有鲜明的个性,整个
作品有着强烈的感染力。狄更斯堪称一位杰出的语言大师,擅长运用讽刺、幽默和
夸张的手法,他笔下的人物风貌和语言风格富有浓厚的浪漫主义特色。
8,用英语概括《雾都孤儿》的主要内容
该作以雾都伦敦为背景,讲述了一个孤儿悲惨的身世及遭遇。主人公奥利弗在孤儿院长大,经历学徒生涯,艰苦逃难,误入贼窝,又被迫与狠毒的凶徒为伍,历尽无数辛酸,最后在善良人的帮助下,查明身世并获得了幸福。 该书揭露许多当时的社会问题,如救济院、童工、以及帮派吸收青少年参与犯罪等。该书曾多次改编为电影、电视及舞台剧。 This work is set in London, a foggy city, and tells the tragic story and experience of an orphan. Oliver, the hero, grew up in an orphanage, experienced apprenticeship, fled hard, strayed into a den of thieves, and was forced to associate with vicious murderers, experiencing countless hardships. Finally, with the help of good people, he found out his life experience and gained happiness.The book reveals many social problems at that time, such as almshouse, child labor, and gangs absorbing teenagers to participate in crimes. This book has been adapted into movies, television and stage plays many times. 创作背景 《雾都孤儿》作为英国小说家查尔斯·狄更斯在维多利亚时代的作品。资本主义的发展,使英国成为世界超级大国。但繁华之下,是贫穷和不幸。这种繁荣孕育在危险和肮脏的工厂和煤矿里。阶级冲突越发明显,终于在1836年到1848年中接连爆发。19世纪末期,大英帝国国力逐渐下降。作为一个时代的产物,文学日趋多样化,许多伟大的作家出现在那个时代。 《雾都孤儿》写于《济贫法》通过之时。英国正经历一场转变,从一个农业和农村经济向城市和工业国家的转变。《济贫法》允许穷人依赖接受公共援助,却要求他们进行必要的劳动。为了阻止穷人依赖公共援助,逼迫他们忍受难以想象的痛苦。 因为贫民院的救援声名狼藉,许多穷人宁死也不寻求公共援助。《济贫法》没有提高穷人阶级的生活水平,却对最无助和无奈的下层阶级施以惩罚。
9,雾都孤儿作者简介50
雾都孤儿作者简介50 有奖励写回答共2个回答 破坏神陈子腾 聊聊关注成为第3位粉丝 查尔斯·狄更斯,全名查尔斯·约翰·赫法姆·狄更斯(英文原名:Charles John Huffam Dickens,1812年2月7日—1870年6月9日), 狄更斯特别注意描写生活在英国社会底层的“小人物”的生活遭遇,深刻地反映了当时英国复杂的社会现实,为英国批判现实主义文学的开拓和发展做出了卓越的贡献。他的作品对英国文学发展起到了深远的影响。 狄更斯是高产作家,他凭借勤奋和天赋创作出一大批经典著作。他又是一位幽默大师,常常用妙趣横生的语言在浪漫和现实中讲述人间真相,狄更斯是19世纪英国现实主义文学的主要代表。艺术上以妙趣横生的幽默、细致入微的心理分析,以及现实主义描写与浪漫主义气氛的有机结合著称。马克思把他和萨克雷等称誉为英国的“一批杰出的小说家”。